Nigel Crowley - SOUND ENGINEER
"Extreme is my go to and has been for years. Their site is efficient and the fact I can email playlists to clients without downloading anything saves me bags of time. They always make me look good by doing great searches when I'm in the pub...er...too busy. The ability to custom mix tracks live is brilliant and unique with the quality of the music being top notch."
Been engineering big budget tv and cinema commercials for over 20 years. Mainly in London but now in Sydney. Started 750mph in London which is still one of the best studios town and has worked on just about every major brand you care to name.
Allison Thiel - DIRECTOR OF MUSIC SUPERVISION
"Extreme’s music is the highest quality production music out there. I can always go to their incredible website to find a piece of music that works well for my shows. Their staff is also super friendly and helpful which makes a huge difference in a time crunch."
Allison began her career in music 11 years ago as a music coordinator for Fox Sports booking artists and musicians and assisting productions with background music for sporting events. In 2004, she made MTV her home, and since has become Director of Music for News & Docs. She has music supervised more than 20 series, numerous documentaries and specials; her personal favorite soundtrack being, “MTV’s Catfish: The TV Show.”
Dan Neale - HEAD OF MUSIC RKCR/Y&R
"I use Extreme for production music, because I know they'll deliver something great and credible. They deliver it quickly too. If a client wants a commercial track, but can't afford it, Extreme is the first place I look."
Dan has been head of music at advertising agency RKCR/Y&R for 6 years. He is involved at all levels of music supervision including creative searches, licensing and brand partnerships. His background spans TV production, songwriting and composing to picture, having worked as a full-time media composer for 4 years and prior to that in several advertising agency's TV departments.
Norbert Keil - WRITER/DIRECTOR
"These guys ROCK. I keep throwing one impossible task after the next at the Berlin guys and gals, but they keep delivering cool, often surprising tracks – how they manage to do that beats me, but I couldn’t care less. My first choice, always."
Parallel his work as a writer and director of short and feature films, Norbert Keil has founded and built one of Germany’s leading trailer companies over the past 10 years, called Trailerhaus. Starting with the Academy Award-winning Nowhere in Africa, he has worked closely with Bernd Eichinger on the campaigns for all his films. Other projects include Quentin Tarantino’s Death Proof, Tom Tykwer’s The International and Perfume, Finding Nemo as well as more than 400 other campaigns for clients like Disney, Paramount, Warner Bros, Constantin Film and Sony Pictures.
Rob Beaumont - MUSIC SUPERVISOR
"It's fantastic to have a resource as good as Extreme at my fingertips. The reliably high quality of the music, the breadth of the catalogue and the team always on hand to help out makes it a great place for sourcing the right track for a project."
Rob is a Music Executive at ITV working on both in-house programming and independent productions providing extensive music supervision services for multiple genres including entertainment, drama, sport, factual and promos. His many credits include the South Bank Show, the Fifa World Cup, I'm A Celebrity Get Me Out Of Here and Superstar with Andrew Lloyd Webber.
Paul Logan - MUSIC SUPERVISOR
"Extreme should be the model for the production music industry. Their quality of music, user interface, access to cue info, and pre-built playlists are the reasons they're at the top. But best of all, their client relations approach really sets them apart."
Paul Logan has 7 years across VH1 and MTV, working in both the New York & Los Angeles offices. He is currently a Creative Music Integration Manager at VH1 in Santa Monica, implementing featured music placements for a wide range of programming. His credits include the Single Ladies movie and series, Basketball Wives, Couples Therapy, and many more. Current projects include Black Ink Crew, the fifth season of Basketball Wives, and the upcoming scripted series, Bounce. Paul's previous experience includes Music & Talent Relations at MTV and Music Marketing at VH1.
NIGEL FOSTER - SOUND DESIGNER
"I love the fabulous quality of Extreme's music libraries and so do my clients. Extreme's music always brings an extra dimension to my jobs & is my first choice when auditioning music tracks, always delivering brilliant results. They have terrific people and stellar parties ... when are we going out again lads?"
Nigel began his career in professional audio engineering way back in 1990, swiftly progressing from tea boy to house engineer at Auckland’s iconic Airforce Recording Studios. Working mainly in music and free to showcase his talent he worked on many home grown albums including The Exponents’ legendary album “Something Beginning With C”. His skills attracted the attention of Disney producers and Nigel was invited onboard as fulltime sound designer at their new West London facility. After more than thirteen years away from home Nigel has returned to Auckland to fulfil a life long dream, to build a studio that is intimate yet professional, funky yet functional.
OMAR HERRERA - MUSIC SUPERVISOR
"Extreme has been a tremendous resource for me over the years. Their library is loaded with high quality cues covering a large mix of styles and genres. Extreme is an easy and excellent choice when it comes to meeting the needs of the most important and demanding projects."
Omar has worked as a Music Supervisor in theatrical marketing since 2005. As the Music Supervisor for New Wave Entertainment and Zoo Street Music, he has amassed an extensive list of credits including hundreds of home video titles and programming for A&E, HBO, SyFy, NBC/Universal and The CW. Omar's love for music began early when he attended The US Festival, his very first concert. He can be found most evenings attending local shows around Los Angeles or digging through records.
KATE FINN - MUSIC SUPERVISOR
"Extreme is the place I go to when I need that little extra boost for a scene. The combination of an extremely helpful and friendly team and a library full of such high quality fresh sounding tracks, makes it a very easy and satisfying option. Extreme seldom fails to get me out of a musical jam."
Kate’s love of music led her from a career as a Production Manager for factual documentaries into her current role of Music Supervisor at Lime Pictures, which produces a wide range of programming including Hollyoaks, The Hollyoaks Music Show, Geordie Shore, The Only Way Is Essex and Anubis House (Nickelodeon). Having previously worked across numerous dramas and other productions, including Grange Hill, In the City, Living on the Edge, Shelf Stackers and The Case, Kate is also a regular pundit for the BBC’s annual Sound of…poll.
JON ERNST - MUSIC SUPERVISOR
"If I were forced to supervise music on a desert island and was only allowed to have one music library at my fingertips...it would def be Extreme!"
Jon Ernst is a much sought-after L.A.-based composer and music supervisor. An accomplished singer-songwriter, Jon’s television career began as “Pianoboy,” the on-camera musical director of the classic MTV game show Singled Out. Jon was Music Supervisor on MTV’s mega-hit The Hills and it’s spin-off The City, and has worked in that capacity on many other shows including Caged (MTV), L.A. Ink (TLC), Celebrity Circus (NBC), Nashville (Fox) and Laguna Beach (MTV). As a composer and songwriter, Jon scored most episodes of VH1’s legendary Behind the Music, as well as the syndicated hit Ex-Treme Dating, and has licensed countless original songs for television and film placements. A native of Chicago, Jon studied at Berklee College of Music in Boston and is a graduate of the University of Florida.
KYLE LYND - MUSIC SUPERVISOR
"Extreme is a brilliant production music company. Their team are really efficient, helpful and knowledgeable when it comes to their catalogue. I feel their music is of a really high standard, which is ultimately the most important thing."
Kyle has always loved music and enjoys an eclectic taste. While in his final year of university he managed to secure his first music supervisor post for E4’s Flagship show Skins, going on to supervise three series of the show. Amongst other productions he has also consulted on Holby City for BBC One and Leonardo for CBBC. Kyle was featured in 2011’s prestigious Guardian Music Power 100 at number 47 along with the likes of Adele and Simon Cowell.
MICHAEL A. PERLMUTTER - MUSIC SUPERVISOR
"Extreme has a superb selection of music that is easy to access and license."
Michael spends his days and nights watching films and TV, listening to music, reading scripts, negotiating and moshing. His previous work included stints in advertising (U2 "Pop Tour"), Music Publishing (EMI Music Publishing Canada), artist management and Director of Music Supervision at SL Feldman & Associates.
He now owns and operates Instinct Entertainment.
NORA FELDER - MUSIC SUPERVISOR
"Extreme is always there when I need them and their site is EXTREMELY user friendly."
Nora Felder’s start in music began booking artist showcases at a New York City club. Later, working with veteran music producer Phil Ramone, Nora oversaw recording projects for artists ranging from Paul Simon to Iggy Pop. Her credits include Disney/Touchstone and Overture Pictures. In the TV world, she has completed four seasons of Californication and is beginning the new Sony produced USA Networks series Necessary Roughness.
TONE ASTON - SOUND DESIGNER
"I use Extreme every week, it has the biggest range of the best quality music in the business. If I want an amazing sounding track from any genre, Extreme has something great to offer."
Tone's life changed at 14 when Bon Jovi released "Living On A Prayer", he wanted to join the band and tour the world (and maybe even meet some girls). His pursuit of rock stardom led him to sound design, and for over ten years now he has been creating sound design for international and local clients in TV and radio. Tone has done sound design for VB Regualrs, SBS Films, “The Light,” Luxbet Radio, SBS Brain Idents, Ram Trucks, and more.
TRINA-MARIE HILL - MUSIC SUPERVISOR
"Extreme Music truly covers all the bases when it comes to quality, variety and accessibility. No matter what project I'm working on, when I need to find the perfect track I can always count on Extreme!"
Trina-Marie Hill has worked as a Music Supervisor for 10 years. Her work spans across media platforms including television, reality, scripted and singing competitions, films, documentaries and commercials. Trina's work can be seen on The Daily Dish, What Chilli Wants, Hard Core Pawn, Kirstie Alley’s Big Life, Leave It To Lamas and Housebroken among others. Before making her mark as a Music Supervisor, Trina worked with and traveled on tour with bands for 4 years.
CHRISTIE VALERIANO - MUSIC SUPERVISOR
"Extreme’s catalogue is fabulous when I am looking for something catchy, interesting, diverse, or cutting edge!"
CHRISTIE currently manages the music services department for the EMEA division of ESPN. She has a Masters in classical voice and spent more than 5 years as a professional opera singer before moving into music for TV and film. Her film supervision credits include In the Land of the Free (Mob Film/Gold Circle Films) and Anyone You Want.
CLYDE LIEBERMAN - MUSIC SUPERVISOR
"Extreme Music has got it exactly right – brilliant music, awesome service and the most user-friendly website out there"
Clyde’s illustrious career has firmly established him as one of Hollywood's foremost creative consultants and he is widely renowned as an industry tastemaker. His credits include The Apprentice, Rock Star: INXS, Supernova, The Contender and P. Diddy’s Starmaker, as well as providing his services to shows on NBC, ABC, MTV and TV Land to name a few.
JENNIFER TAUNTON - MUSIC SUPERVISOR
"I can always find music to suit any one of my projects in Extreme’s library. There is a stack of amazing tracks, and a complete mix of styles. It’s my go-to production library."
Jennifer Taunton is a Music Supervisor with Level Two Music in Sydney where she has worked for the past seven years. Jennifer has supervised projects for Heineken, Vodafone, Ford, Canon, Bonds, Coca Cola, Target, Westpac and Toyota amongst many others. She also supervised the acclaimed feature film Beautiful Kate (New Town Films) which was nominated for “Best Soundtrack” at the ARIAs.
AMELIA HARTLEY - MUSIC SUPERVISOR
"Extreme is the first place we go for production music. They are extremely helpful and have a great range of genres, but most importantly the quality is excellent."
Amelia has been head of music at Endemol UK, the UK’s largest production company, for over 12 years. She has been Music Supervisor on the iTunes Festival, Vodaphone Music Live Awards, Big Brother (Series 1-11), Party in the Park, The Brit Awards, UK Music Hall of Fame, The Pepsi Chart Show, The Orange British Academy Film Awards as well as many others.
KATE YOUNG - MANAGING DIRECTOR
"Extreme is a stand out library for me, as the exceptional quality of its recordings and composition place it in a class all its own"
As Managing Director for Soho Music, Kate provides soundtracks for TV commercials and independent films. Recent work includes: Audi, Cadbury’s, Ford, O2, and Lynx. Kate is not only a classically trained pianist and harpist, but has over 10 years of experience in the industry working with a number of high profile agencies and film directors.
KEVIN EDELMAN - MUSIC SUPERVISOR
"Extreme is an incredible resource that I turn to constantly... Amazing music, great production, so well-organized and easily-searchable. They have the bases covered from hip-hop to classical, rock, lounge, and everything in between."
Kevin Edelman, owner of Metalman Media, Inc., built the foundation for his music supervision career as a musician and radio DJ. Combined, Kevin has music supervised over a thousand hours of network television, MOW’s, pilots and features. Current Projects include Bones, Homeland, Criminal Minds, The Finder, Franklin and Bash and Missing.
LIZ GALLACHER - MUSIC SUPERVISOR
"For me Extreme Music is a truly game changing production music library"
Liz’s esteemed career has established her as one of the most creatively diverse music supervisors in the industry. Her work on projects such as The Full Monty (winner of a Brit Award for Best Soundtrack) and Resident Evil (Grammy nomination for Best Metal Performance) has garnered praise from producers, directors and the press. 24 Hour Party People was short listed for Film Music at 2003's NME Awards. Her credits also include the Oscar Award winning documentary One Day in September, Golden Globe winner The Gathering Storm and feature films such as Layer Cake, Calendar Girls and Bend It Like Beckham. Recent projects include Ricky Gervais' upcoming film Cemetery Junction, Oscar Award winning Documentary The Cove , and Fishtank which won a BAFTA for Best British Film.
MARCY BULKELEY - MUSIC SUPERVISOR
"Extreme Music is always my go to. They have everything you could possibly need for your project and it is all really solid stuff. No canned sounding music, only the best quality."
Marcy is the Music Supervisor for BLT, Inc. one of the largest film and entertainment-marketing firms in the industry. She is directly responsible for the music in such campaigns as Inception, Due Date, The Town, Sherlock Holmes, Hubble 3D, Just Wright, Harry Potter 6 & 7, LOST, Modern Family, Cougar Town and It’s Always Sunny in Philadelphia (Seasons 5 & 6).
MATT KIERSCHT - MUSIC SUPERVISOR
"I never have to worry about quality when I go to Extreme. The production value and variety of genres is outstanding."
Matt Kierscht has worked in Film & TV music for nearly 20 years. Prior to creating his own music services company he was a Music Executive at Warner Bros. Television and an Executive Producer at DreamWorks. Throughout his career Matt has received multiple awards for such productions as America’s Next Top Model, Last Comic Standing and The West Wing.
I can always find music to suit any one of my projects in Extreme’s library. There is a stack of amazing tracks, and a complete mix of styles. It’s my go-to production library.
- JENNIFER TAUNTON
MUSIC SUPERVISOR - LEVEL TWO MUSIC
Extreme is the first place we go for production music. They are extremely helpful and have a great range of genres, but most importantly the quality is excellent.
- AMELIA HARTLEY
MUSIC SUPERVISOR - ENDEMOL UK
Extreme Music truly covers all the bases when it comes to quality, variety and accessibility. No matter what project I'm working on, when I need to find the perfect track I can always count on Extreme!
- TRINA-MARIE HILL
Extreme has a superb selection of music that is easy to access and license.
- MICHAEL A. PERLMUTTER
MUSIC SUPERVISOR - SL FELDMAN & ASSOCIATES
I use Extreme every week, it has the biggest range of the best quality music in the business. If I want an amazing sounding track from any genre, Extreme has something great to offer.
- TONE ASTON